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M. L Eaton's When The Clocks Stopped

Have you ever walked into a room and thought, “I’ve been here before,” or met a person and felt, “I’ve met this person before,” but you haven’t.  Yet that connection remains. And that is how the novel, When the Clocks Stopped, begins.


This is not your typical time travel novel, but rather the creation of a ”chat room” between eras, where characters do not go back and live in another time, but nonetheless through multi-layered and intertwined time lines, interact together.


Hazel Hawkins lives in 1976, Annie in 1747. Both live in Rose Cottage on Romney Marsh.  We know from the beginning of the novel that this house is special.


“I think this house likes us,” Hazel’s husband Bruce says to her, as if the house has a personality or is a character in itself. Author Marion (M.L.) Eaton told me, “Rose Cottage is based on the cottage that my Australian husband and I bought in Lydd (thinly disguised in the novel as Rype) in 1975… Rose Cottage not only had its own character, its atmosphere was truly warm and friendly, almost as if it had wrapped a shawl round us. And the experience with Annie, and her knocking on the window, is true.” (No spoilers, so you have to read the novel!)

When The Clocks Stopped.jpg
Marion Eaton.jpg

Marion went on to explain that she has long been aware that there are places where the past and future “can bleed through into the present…. Time is not a continuum as we tend to believe, but exists on different planes. I myself have experienced visions and heard voices from the distant past….”


Hazel, like the author, is a solicitor (British lawyer), in an era when women were just entering the field in the UK. Although very pregnant and planning to be a stay-at-home mom, she is roped into writing wills. Her encounter with surprise or condescension when others learn she is the one writing the wills shows her strength of character and reveals keys to the solving of the mystery, as well as mimicking the author’s own experiences.  The wills and their details reveal the importance of legacies and what we truly pass down to the next generations.


As Hazel moves into the house that Annie occupied two centuries before, she is threatened by the violence of the smuggling rings. It is then that she regularly sees ghostly images of Annie in their common home and then in the tunnels crisscrossing beneath the English village of Rype. She realizes that Annie sees her as well. Each is not sure who the other is or what world they are seeing, but there is a link and a gradual knowing of the other.


The novel is a mixture of a suspense mystery, a magical un-time travel, a memoir of moving to a small town, a romance and the trials and tribulations of the last few months of pregnancy and being a small town solicitor. It is alternatively sad and funny, frightening and mystical.


“So we are having this conversation in timelessness? How can that be?” Hazel asks.

Annie responds, “Knows’t thou not that the veil between the worlds is rent, here in Rype?”  You cannot put down the novel after reading these lines.


I asked Marion about this rent in the world and I looked up the theory of ley-lines running through England and other parts of the world. These are mystical energy lines connecting time and energy, special and sacred places. The two time lines of the plot come together with this special energy.


The mystery and suspense come to the fore in the common theme of smuggling and the violence that accompanies it. Many think of violent crime as a current problem, with the past being idyllic.  Both eras show criminals who have little value for human dignity or worth. I asked Marion about the difference between the crime of the past and present. 


“Sadly, I don’t think there are many differences between the crime of today and that of yesteryear. The similarities are that the strong still exploit the weak; …money still speaks volumes; and the poor and dispossessed are the targets of criminals. It is particularly sad that modern slavery exists to such a high degree.”


Hazel’s doctor, Dr. Mark Wilkinson,  warns her not to romanticize the Marsh smugglers. “The old stories make one think that smuggling’s a thing of the past, but actually its always gone one. It still does today. And the smuggling gangs are still as violent and brutal as they were then, so don’t get some romantic notion of it. It is vicious.”


Marion keeps the suspense and mystery taut, making it hard to put the book down, especially as we ask the question whether can Hazel and Annie can change each other’s futures.


Annie tells Hazel, “Thou hast the key. I pray you use it.”


Read this and the next two in the series to see the excitement and mystery of living on the rift in time.

Hazel and her husband Bruce enjoyed eating meals at The Three Chimneys, Rype’s local pub. I couldn’t resist the Ploughman’s Platter, with its cheeses and chutneys and fabulous homemade bread. See how to make this pub favorite.

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